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Liminality

by Eric Johnsen

supported by
Carl Cherry II
Carl Cherry II thumbnail
Carl Cherry II It's a fantastic work for sure! Both compositionally and sonically. It reminds me of an ECM recording, wonderfully crystal clear. Way to go Eric and all who were involved in this long-time coming project.
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    This musical project seeks to explore liminal spaces: that space at the threshold of profound change; the state of suspension between the death of what was, and the birth of what will be -- or could be.

    Combining an improvisational chamber ensemble with strings, Liminality weaves together jazz, fusion, and world beats with chamber and orchestral elements. The music ranges from strictly composed to purely improvisational. Textures range from the power of the full ensemble with chamber string orchestra to the delicacies of solo and duet performances. At times the music floats in ethereal spaces; at other times it is rhythmically driving, anchored by American, Indian, and Afro-Cuban influences.

    Includes unlimited streaming of Liminality via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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1.
2.
The Dreamers 14:35
Above the rising tides, the “good life” allures, For those undiscerning. The dream of an infinite dawn entrances like a siren song, As Rome goes on burning. Out of the ashes, into rain, a blessed unrest emerges to incite a change, Is it in vain, this occurring? You’ve got ears, and eyes, and the sense to finally know the fear Of waters on the rise The dreamer awakened can choose another dream, Unimagined before. From shadows and voyeurs, to a new day of warriors In a world we’re all looking for. Feeling alone. Slave to the phone. Lost in our own petty dramas. But beyond the charade, courage reclaimed, How many others can discover the same: This dream’s a nightmare to sustain? What bequeathment will be laid: An age of unraveling, or of reconnection, a course correction, With all relations returning? Could we be the dreamers to manifest a new destiny? A shift in the story reveals another way to higher ground, and shimmering shores. Deceived and divided, yet our stories united in a voice too strong to ignore. With darkness astride us, let a new dream inside us ignite us The condor coming home again to guide us.
3.
Patience 07:38
4.
5.
Undertow 03:05
6.
7.
Still, so still the stirring. And an unbroken moment Exists between the seismic shifts occurring. In the fading candlelight my love appears. In her heart another fire casting a timid glow, As faraway tremors grow near. Free and yet confining, all the pre-dawn soliloquys and journals Teasing out a silver lining. She remembers how it was like yesterday, With all the fears that haven’t gone away. Trying to move beyond the realm of this liminal phase. Smoke ascends from the burning sand. Did the same condition never singe your stand? So leave me if you have to. The stillness will remain, for once, for you. Torn between desires, with their triumphs and tragedies that, In the end, reveal a cleansing fire. To embrace the great unknown, to see it through – And who can speak of deadlines overdue, In that bold frontier, or back in the hemisphere we knew? Looking back on the journey made, finding only refuge in the flame I swathe, The stillness remains.
8.
Looking into the mirror for any clues, in vain. For all the ways in the world that you left your mark, Is there a spark or two I can claim? Most the time I’d only find my sorrow. So surreal that I had to say goodbye so soon, And continue trying to find the way on my own. It wasn’t meant to be this way -- so little justice, it appears. Yet who among us has a say when the final hour nears? If I could give to you what you’d provide, like a beacon shining out to sea As the darkness of these days subside, A new light appears, a star that will always endure So pure, in me. Is this the way we have to learn how little time is on our side? Discovering at every turn you’re there to be my guide. And so I’ll carry on as best I can, set a course as true as eyes can see. On the journey through unchartered lands, I’ll mark all the days, the ways you continue to give, To live in me.
9.
Now all the truth is out, Be secret, and take defeat From any brazen throat. For how can you compete, Being honor bred, with One who, were it proved, he lied, Were neither shamed in his own, nor In his neighbor’s eyes? Bred to a harder thing than Triumph, Be true and turn away. And like a laughing string Whereon mad fingers play. Amid a place of stone, Be secret and exult. Because of all things known, That is most difficult.

credits

released May 24, 2023

Music composed and produced by Eric Johnsen
Lyrics by Eric Johnsen, except All Things Known (W.B. Yeats)
All programming by Eric Johnsen

Co-Producers: Doug Martin and Wiley Ross
Executive Producer: Doug Martin
Mixed and mastered by Wiley Ross

ENSEMBLE ARTISTS
VOICES: Song Yi Jeon (1, 2, 6, 8, 9), Michael Mayo (7)
PIANO/RHODES: Jerry Léonide (2, 9), Noé Secula (1, 3, 7), Doug Martin (6), Fanya Lin (9)
GUITARS: Aliéksey Vianna (1, 3 w/ voice, 4, 7, 8), Nguyên Lê (5, 6, 9)
FLUTES: Itai Kriss (1, 6, 9)
BASSES: Roberto Koch (1, 2, 6, 7), Romain Labaye (5,9)
DRUMS: Chris Wabich (1, 2, 6), Daniel Dor (4, 8), Russ Miller (9)
TABLA: Ehren Hanson (1, 2, 4, 6, 7, 9)
HARP: Michelle Gott (8)
B/G VOICES: Tomas Cruz (8), Eric Johnsen (4, 7)
PERCUSSION: Aaron Szabo (7,8), Tony Redhouse (6)
STRING QUINTET (6): Tim Kantor (Violin and Viola), Ted Buchholz (Cello), Phillip Allejo (Double Bass)

STRING CHAMBER ORCHESTRA (2, 4, 6, 8, 9)
VIOLIN
Adam Taubitz (concertmaster)
Bartek Niziol
Nitzan Wolfson-Bartana
Xiaoming Wang
Vahagn Aristakesyan
Jakub Nitsche

VIOLA
Frida Siegrist Oliver
Michel Willi
Antonia Siegers-Reid
Sebastian Eyb
Elia Portabales Rodriguez

CELLO
Claudius Herrmann
Mattia Zappa
Andrea Sutter
Basile Auslaender

DOUBLE BASS
Dariusz Mizera

Core ensemble personnel recorded between July 2018- Feb. 2023, at Sear Sound, New York City (Chris Allen, chief engineer, Justin Berger, assistant engineer), Jazzcampus, Basel (Daniel Somaroo, engineer), Jeffrey Haskell Recording Studio, Fred Fox School of Music, Tucson (Wiley Ross, engineer), and 4rail Studio, Tucson (Wiley Ross, engineer).

Strings recorded June 8-11, 2021, at HardStudios, Winterthur
(Andy Neresheimer, engineer).

Additional recording took place in various home studios.

Cover image: Waiting for Everything and Nothing ©Gina Parr — www.ginaparr.com

Ⓟ © 2023 Wigtones

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Eric Johnsen Tucson, Arizona

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